![]() ![]() It's not uncommon to find such lenses to be a little soft at their widest apertures, but the FE 35mm f/1.8 delivers excellent sharpness whether you use it wide open or stopped down. Verdictīy any measure, this is a fine lens. Out-of-focus areas in general, however, are rendered very pleasingly. ![]() It does mean, however, that some bokeh takes on a cat's-eye shape at wider apertures, which becomes more rounded as you stop down. Vignetting can also be lifted this way, which is just as well as a good helping of it exists in images captured at wider apertures (and even further down the aperture range). Lateral chromatic aberration, which tends to form towards the edges of the fame, is also somewhat noticeable, although this can be removed through in-camera corrections – and raw files have a profile built into them that automatically lifts this away. There's also some slight pincushion distortion when shooting subjects with linear details although this won't be visible in the vast majority of scenes. With images, sharpness is already strong at f/1.8, and while it does improve a little once you stop down the aperture (or increase the f-stop), the difference between images captured wide open and those at f/5 or so are really nowhere near as pronounced as expected.ĭefocused areas are rendered very pleasingly. Thanks to the combination of the focusing motor used here and the fact that the lens's elements are small and light, the lens is able to focus at great speed. There's little to grumble about with focusing speeds.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |